Once upon a time, fashion’s most significant cultural moments came from glossy magazines and runway shows in Paris, Milan, and New York. Today, television holds equal power. In the streaming era, every outfit on screen can be paused, screenshot, dissected, and shared instantly across social media. Shows like Gossip Girl, Killing Eve, Emily in Paris, and Insecure don’t just reflect what’s in style; they create trends, sometimes faster and more decisively than any fashion week presentation.

A woman in an oversized navy blazer steps out of a London taxi. On her feet, she wears white trainers just enough to look lived-in. In her hand, she holds a simple leather tote big enough for daily errands. The camera's flash, and the image is instantly everywhere. It was Princess Diana in the early 1990s, yet the silhouette could easily pass for a fashion editor at Paris Fashion Week today.

At Copenhagen Fashion Week this August, editors and street photographers noticed something impossible to ignore: bags are getting bigger. On the runways, Ferragamo and Louis Vuitton sent out models with large clutches that demanded a two-hand hold, while in the front row, guests tucked oversized suede pouches beneath sharply tailored coats. The message was clear after years of pretending we could fit our lives into Jacquemus micro-minis; fashion has swung hard in the opposite direction. The oversized clutch has emerged as a trend and a cultural correction. It is practical, sculptural, and designed for a world that craves both beauty and function in equal measure.

Bad Bunny isn’t the first global music star to wear a skirt. He isn’t the only man to walk in pearls or paint his nails in glossy pinks. But when a Puerto Rican reggaetón icon, built from the sounds of perreo and steeped in the bravado of Latinx masculinity, steps into traditionally “feminine” clothing, it doesn’t just make a fashion statement. It cracks something open.

He is the most successful driver in Formula 1 history, with seven World Championships and more pole positions than anyone else. But Lewis Hamilton’s real revolution isn’t measured only in seconds or laps, it’s in how he’s visibly and viscerally changed the face of power, privilege, and presence, both on the track and on the red carpet.