The name Hadid is synonymous with heroic actions: fighting for the Palestinian people, advocating for social causes, and championing human rights. The Hadid sisters transform traditional fashion campaigns into engaging digital experiences that resonate with younger audiences. Their influence surpasses print advertising, as they share their stories on TikTok and connect with Gen Z. With a combined Instagram following of 137.6 million, they raise the question: how do Gigi and Bella define fashion campaigns in the digital age?

This week, I was scrolling through Instagram, as usual, when I saw the same two photos of Oke Intunu and Emily Zirimis, taken at different times. They had shared a picture of their IDs at Condé Nast, accompanied by a poignant caption: The end of an era, we’ll miss you Teen Vogue. Not knowing what had happened, I started digging. Condé Nast announced it would merge Teen Vogue with Vogue.com. As a major fashion enthusiast, and with an older sister who used to buy magazines every Wednesday and subscribe to receive them, I realized that today’s youth no longer have magazines to escape reality, or sources tailored to their interests an

His fashion is not a homage to Yves Saint Laurent but a thoughtful redefinition of the legendary designer’s legacy. Anthony Vaccarello has forged a path that respects tradition and is daringly contemporary. At the core of his vision lies a delicate balance between masculinity and femininity, discipline and seduction, structured tailoring, and effortless sensuality.

Each collection is conceived with the wearer in mind, designed to make an impression when the spotlight inevitably falls upon them. Elegant finishes, voluminous fabrics, and a nuanced palette of neutral tones interspersed with bold blocks of color bring life to even the dullest days and evenings. In an era dominated by fast-moving trends, streetwear influence, and a growing emphasis on comfort, Vaccarello and the Belgian-Italian design duo behind the house have consistently pursued a different path: confidence as luxury, expressed through seductive and uncompromising elegance. This distinct aesthetic has defined Anthony Vaccarello’s tenure as the Creative Director of Saint Laurent since 2016.

One in eight women will develop breast cancer in her lifetime. A statement many have heard, but few have really paused to consider. The risk of breast cancer among young adult women is increasing every year. According to the American Cancer Society, breast cancer is the most commonly diagnosed cancer in women worldwide, and also in Belgium. But what does this number mean for us personally?

Imagine the scene: New York, 1977. The city buzzes with energy, grime, and personal desires. Everywhere, people go about their day, inside a Bottega, waiting at a red light, or behind the bar, but a few streets away, in front of the closed doors of a former theater on 54th Street, a special crowd gathers: emerging and established supermodels, smoking musicians, and aspiring stars hoping to get in.

Through the crack of the door, the light of a massive disco ball glimmers. The air is filled with a mix of cigarette smoke, floral perfume, and champagne. The doors swing open, and Bianca Jagger rides a white horse across the dance floor, draped in satin, while Andy Warhol watches with a smile. This was no ordinary club; this was Studio 54.