Phoebe Philo quietly revolutionised luxury fashion. In an industry that often valued spectacle or sex appeal, she offered something different: clothes designed by women, for women, with intelligence, simplicity and purpose. Her tenure at Chloé and Céline gave us no trend cycles but timeless uniforms of self respect. She taught the fashion world that power can be understated, and feminist thought can be worn on a sleeve.

Black models have never been more visible in fashion. You see them gracing the covers of major magazines, starring in luxury brand campaigns, and walking on the biggest runways from New York to Milan. The visuals say progress, the presence feels overdue. And yet, many are beginning to ask: is this true inclusion or just strategic optics?

In a world where fashion often roars for attention, Jacquemus whispers and somehow, that whisper echoes across the globe.

With linen skirts flowing in lavender fields, handbags barely big enough for a metro ticket, and shows staged in the golden light of Provence, Simon Porte Jacquemus has done what few designers can: he’s created a brand that feels less like a label and more like a memory. A feeling. A sun-kissed dream.